VIVALDI II

Nigel Kennedy and friends deserve credit for attempting to go beyond The Four Seasons and introduce listeners to some of the countless equally fine concertos

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Wagner: Overtures/Maazel

Lorin Maazel’s powerfully rendered Wagner program follows the tradition of Karajan and Tennstedt in exploiting the Berlin Philharmonic’s idiomatic Wagner playing style–mainly the bright, sharply

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Bohm/Mozart

This wonderful 1966 recording offers some refreshingly “old-school” Mozart–that is, the kind we used to hear before the emergence of the “authentic” style. Karl Böhm

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