Louise/Met/Naxos C

Gustave Charpentier’s Louise was the French answer to the emergence of Italian verismo opera in the 1890s. Its four acts encompass a vivid soundscape of

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Werther/Naxos C

Werther seems to have edged out Manon in popularity among Massenet’s operas, judging from its numerous recordings. Their many excellences, however, yield pride of place

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Reiner’s Verdi

For a few decades now, Fritz Reiner’s recording of the Verdi Requiem (one of his rare stereo recordings not made for RCA, and not with

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Thais

The operas of Jules Massenet have been finding their way onto the stage and into the recording studio with increasing frequency in the last few

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Strauss Capriccio/EMI

What is more important, words or music? That’s essentially the plot of Richard Strauss’ operatic swan song, for which Clemens Krauss fashioned a mildly droll

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