
The second installment of Analekta’s Mozart piano and violin sonatas with violinist Jean-François Rivest and fortepianist David Breitman may well surpass Volume 1’s high artistic
These are good performances of Haydn’s late trios, three of his finest works in the medium, that will appeal to you more if you prefer
Hot on the heels of Bridge’s release featuring Lambert Orkis in Beethoven’s Appassionata on period and modern instruments come back-to-back Diabelli Variations with Edmund Battersby:
Haydn’s keyboard sonatas may look simple on the page, yet their exposed textures and structural subtleties require the utmost in technical control and focused musicianship
This boxed set gathers John Field’s pioneering piano Nocturnes alongside all 21 of Chopin’s works in the genre, together with interesting nocturnes by their contemporaries,
Siegbert Rampe embarks on a Mozart cycle that aims to match each work with a different keyboard instrument of the composer’s time. The fortepiano takes
In contrast to the strengths and insights that distinguish Andreas Staier’s previous Mozart recital for Harmonia Mundi, the present program of three sonatas is bound
For ensemble rapport and technical flexibility alone, violinist Jean-François Rivest and his fortepianist accomplice David Breitman arguably dominate the Mozart sonata period-instrument recording short list.
Before you condemn the Glaser siblings as musicologically incorrect for pairing a modern cello with a Graff fortepiano in the Schubert Arpeggione sonata and with
Andreas Staier made a spellbinding recording of Schubert’s monumental A minor sonata D. 845 for Teldec in the mid-1990s. His remake for AEON is bookended