
Pairing the Brahms and Mozart Clarinet Quintets is something of a no-brainer since the two are the backbone of the clarinet-based chamber repertoire–and they fit
Anders Hillborg (b. 1954) is one of those “texture guys” who throws everything but the kitchen sink into a piece in somewhat Schnittkean fashion, and
Schumann is ardent, passionate, turbulent, and unsettling, even in his most dreamy, lyrical moments. You scarcely would figure that out from these performances. Clarinetist Martin
Judging from the CD cover and credits, you’d assume that “Foss plays Mozart” represents a one-man show, even if you manage to discover from the
One of New Zealand’s most visible, prolific, and successful young composers, Gareth Farr writes music replete with canny, effective orchestrations, audience-baiting rhythms, long, plaintive tunes
Elisabeth Schumann’s lieder singing was revered, and while the passage of time has dimmed its allure somewhat, enough of her abundant charms continue to cast
The Brahms Concerto is drawn from a live July 1943 broadcast concert with the New York Philharmonic-Symphony Orchestra, the precursor of today’s New York Philharmonic.
Gustav Jenner’s (1865-1920) aspiring musical career seemed to be at an end when the death of his father left him penniless–that is, until a family
Although he is well-known among the French modern-music intelligentsia, composer Pascal Dusapin has yet to become as familiar to North American listeners. Born in 1955,
Schoenberg’s Society for Private Musical Performances, founded in 1918 to offer weekly new-music concerts to a knowledgeable audience, provides the launching point for this disc.