

Ning Feng is a tremendously gifted violinist, and the music chosen for this recital is certainly interesting. There are two Paganini pieces (by Nathan Milstein

Richard Danielpour’s work, while assuredly well-intentioned, suffers from a common problem in the contemporary “classical” world–a sometimes desperate need to appear approachable in a way

Try to imagine music in which Respighi’s peppery orchestral idiom (transcribed by Granados) defines the lush, sweeping sections and where Debussy makes an obvious presence

The booklet accompanying this release reproduces each of the Goya etchings that inspired the 24 individual pieces within Mario Castelnuovo-Tedesco’s solo-guitar suite, 24 Caprichos de

The late composer/pianist Hans Otte’s extended, 12-movement solo piano work Das Buch der Klänge (The Book of Sounds) skillfully toes the thin line between stark

Back in the 1970s the International Piano Library issued an LP with Ferruccio Busoni’s complete disc recordings on one side, and the other side featuring

David Hurwitz may have scared Classicstoday.com readers away from Boulez’s piano music when he reviewed Paavali Jumppanen’s recording of the Three Sonatas (type Q8692 in

Música Callada (Music of Silence) is a very special work, one of the most beautiful and elusive in the entire piano repertoire. It is extremely

Steven Osborne’s dazzling technique, musical intelligence, and attention to detail merit serious attention throughout his complete Ravel solo piano music cycle. In Gaspard de la

Liszt’s Fantasy and Fugue on the Chorale “Ad nos, ad salutarem undam” from Meyerbeer’s Le Prophete is one of the Romantic organ repertoire’s pillars, yet
![]()
