

Beethoven’s 1803 oratorio, Christus am Ölberge, never has been an audience favorite. It consists of a slow delivery of the story of Christ’s arrest in

There are plenty of first-rate recordings of these works available, particularly the Magnificat and Nunc dimittis, but who’s going to complain about a new one

Why, oh why can’t they leave this alone? “They” being

Step by lively step, the St. Gallen Bach Foundation’s cantata series moves ahead with its sneakily magnificent releases. One of the latest efforts, Volume 26,

Although I’m a “choral person”, I’m not a big fan of late 19th-century oratorios: too big, too serious, too drenched in grand and glorious effects

You may not have heard of 17th-century composer Samuel Capricornus, born (1628) into a Lutheran family in what is today’s Czech Republic, and finishing his

There were more than a few Johanns coloring the musical landscape in early 18th century Germany. At almost the same time as a certain composer

Sometime you may want to just sit back and listen to a concert performance of music more or less predictable but of a certain quality

Fine performances of Handel’s delightful, brief pastoral are not rare: John Butt leads the Dunedin Consort in a five-voice version (as it was in 1718

If you’ve heard enough Beethoven and want to switch it
![]()
