
As I felt when I encountered and reviewed Reznicek’s Ritter Blaubart (type Q6627 in Search Reviews), this all-but-hidden composer has a great deal to offer.
For background on this, Richard Strauss’ next-to-last opera, as well as some plot information, I refer you to Victor Carr’s review of the Telarc recording
Das Spielwerk und die Prinzessin was given a double-premiere, in Vienna and Frankfurt, on March 15, 1913. It was somewhat appreciated in Frankfurt but caused
This opera has all the makings of great post-Wagnerian archetypal drama without falling into the trap of overstated pathos or wretchedly excessive musical filigree. Though