
Here’s an odd coupling of Haydn symphonies that in the end turn out to be a compelling twosome. The restlessly sunny “Tempora mutantur” (No. 64)
Now here’s an interesting marketing ploy: At the cusp of
[Editor’s Note: Thomas Fey’s recent accident and serious injury (he
[Editor’s Note: Thomas Fey’s recent accident and serious injury (he
[Editor’s Note: Thomas Fey’s recent accident and serious injury (he
[Editor’s Note: Thomas Fey’s recent accident and serious injury (he
This disc contains one very good performance and one very
It might be possible to play these two concertos with
This latest release is much better than some of Thomas Fey’s middle-period Haydn symphonies, but still hardly ideal. In the outer movements, finales especially, speed
These are very exciting performances, better than Thomas Fey’s average lately. The horns at the beginning of Symphony No. 48 are thrilling, and the woodwinds,