
Complete recordings of Bartók’s alternately spooky and violent ballet The Miraculous Mandarin have become almost as common as those of its proximate inspiration, Stravinsky’s Rite
There’s something curiously satisfying about sitting at home, under Covid 19 lockdown, and listening to bad Bruckner. I mean, if the world is going to
Had this recording appeared a decade or two ago, it might have excited greater interest. As it is, Kullervo has now received its fair share
These two short, perfectly proportioned symphonies provide an appropriate ending
Dag Wirén’s reputation continues to rest exclusively on the popularity
This latest installment in Thomas Dausgaard’s ongoing effort to downsize the romantic symphonic repertoire isn’t as bad as some of his previous releases, but it’s
As time goes on, the clearer it becomes that for Tomas Dausgaard music starts with Carl Nielsen. In very late romantic and twentieth-century repertoire, he
Thomas Dausgaard’s recent, mostly idiotic series on BIS of large symphonic works played by chamber forces almost made me forget what a talented and dynamic
Thomas Dausgaard’s ongoing project for Simax to record all of
This series goes from strength to strength. Boris Berezovsky has