
Bruckner marks the first movement of the Sixth “Majestoso.” This […]
Rachmaninov’s Second is the quintessential Russian symphony; that’s certainly the view of many Russian conductors who play the work as a mash-up of Rimsky Korsakov,
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Christian Tetzlaff has recorded these two concertos before, very successfully: the Beethoven with Zinman, and the Sibelius with Dausgaard. There was no need or reason
In a celebrated and occasionally scatalogical interview published in Fanfare
In the late 1970s/early ’80s Schwann Record Catalog it was striking how Dvorák’s “New World” symphony maintained its position as the most recorded symphony in
There’s so much bad Schumann around, but I have to
Despite some qualification, Glyndebourne’s new Figaro (summer 2012) is a delight. The curtain opens during the overture on the outside of a Spanish mansion—just what
Judging from the photos of the Glyndebourne production at which this performance was recorded, it must have been very special: The kids home is a
This performance has a lot going for it. Conductor Robin Ticciati gets playing of near miraculous transparency and finesse from the Scottish Chamber Orchestra. It’s