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Your guide to classical music online
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Your guide to classical music online
This is a clever and attractive coupling: music for solo(s) and orchestra, including voices, nicely diverse and organized so as to make an intriguing complete
Shostakovich’s Symphony No. 11 is not his longest, it just sounds like it is. The music is more suited to a movie score than a
The justification for this disc is incomprehensible. It’s only fort-five
This is a terrible disc. It is impossible on evidence here to say that Xiayin Wang has any noticeable affinity for this music. Her tone
The Toronto Symphony enters a crowded field with Holst’s popular The Planets. As expected, the orchestra provides the polished, colorful playing that the score requires,
In the liner notes to this disc, Swedish clarinetist Martin Fröst is described as a “daring performer” who has “stretched the limits of musical expression”,
Peter Oundjian’s finely crafted orchestral rendition of Beethoven’s Op. 131 Quartet is quite the opposite of Leonard Bernstein’s grippingly intense one. Whereas Bernstein strove to
