
This is the same performance I reviewed on Myto (type Q6666 in Search Reviews), and it sounds as good if not better now. There are
If I had to cull the finest Mozart piano concerto recordings from 20 years’ worth of Vox releases, my short list probably would match producer
This wonderful opera, composed just before Stiffelio and the breakthrough Rig-Trov-Trav trio, should be more popular. It abounds in great tunes, has juicy roles for
This is a very different Mendelssohn Scottish Symphony from Peter Maag’s classic 1960 Decca recording (type Q1938 in Search Reviews). The buoyant energy, lithe movement,
Once you get past the boxy, tubby mono sound afforded Symphonies 28, 29, & 34 (assuming you can get past it), you have to contend
Peter Maag conducts Mozart’s Prague symphony with a flair reminiscent of his contemporaneous performances of Mendelssohn’s symphonies. Indeed, his emphasis on warm tone, flowing line,
This is a fine rarity from a composer whose operatic output is usually known only for Medea, which became burnt in the public’s imagination through
Barry Tuckwell and the Mozart Horn Concertos enjoy a discographical partnership that dates back nearly half a century. I have not heard his 1993 traversals
This is a “serviceable” performance/recording of Mozart’s great, unfinished C minor Mass. And in a world–and “Mozart year”–flush with excellent recordings of this composer’s works,
Peter Maag’s reputation as a masterful interpreter of Mendelssohn lives on in these very attractive performances. The tempos, phrasing, color, rhythm, and overall feel reflect