

I reviewed this performance when it appeared on Naxos (type Q66 in Search Reviews), and I feel much the same about it as I hear

This latest in Guild’s “Immortal Performances” series is hardly “immortal”, but it’s certainly worth a listen, and for historical recording fans, a purchase. It documents

Because these performances are relatively well known, I will limit myself to discussion of these new SACD incarnations. They are terrible. Abravanel’s Mahler recordings never

It’s a strange fact that conductors very well known for other kinds of music written in a very different style often do quite well by

These performances of Sibelius’ last three symphonies are a mixed bag, yet they have undeniable attractions. Maurice Abravanel manages a very satisfyingly heroic coda to

Maurice Abravanel’s Mahler Seventh comes very close to Michael Gielen’s, featuring swift tempos and analytical clarity of textures. His straightforward approach pays big dividends in

These performances have a lot to recommend them. Maurice Abravanel’s Sibelius always offers shapely, intelligent interpretations–and in some cases much more than that. This First

Jennie Tourel had a lovely voice, though it no longer seems as outstanding as it once did given the plethora of mezzos with which we

Maurice Abravanel’s Mahler Symphonies have been reissued on CD several times now, and they appear here at a new low price as part of Artemis

The recordings of Maurice Abravanel and the Utah Symphony offer a striking parallel to those of John Barbirolli and the Hallé Orchestra. Both feature first-rate
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