
Shortly after I heard and reviewed Amici e Rivali, a CD devoted to duets by Rossini sung by tenors Michael Spyres and Lawrence Brownlee, I
Felix Weingartner’s symphonies go through all the motions: the allegros try to be purposefully developmental, the adagios strive for elevated tone. The finale of the
Beethoven’s “Eroica” teaches all subsequent generations of composers a critical lesson: the longer the work, the more clear-cut the large-scale form needs to be, and
I enjoyed the first volume in this series very much, and this next installment continues the favorable impression. Felix Weingartner was a symphonist in the
Only three years’ Mahler’s junior, Felix Weingartner (1863-1942) writes like a member of the older generation, but that’s not a bad thing at all given