
You read it right–this is not a “CD from Hell,” but rather a “CD from Chelm,” the notorious city of fools in Jewish folklore, and
Mariss Jansons’ EMI Shostakovich symphony cycle took nearly two decades to complete, yet it was mere weeks after the release of the final installment (Symphonies
The Bottom Line: Although there are some very fine performances
Does anyone need to record Shostakovich’s Tenth Symphony three times, as Mariss Jansons has? Would any sane person want to purchase all three versions, even
[RIP Mariss Jansons] Jansons’ previous two releases in his Brahms cycle featured excellent playing in a generalized sort of way, but little more. This final
Dvorák’s Symphony No. 8 is probably the happiest symphony ever composed, a notion supported by this engaging new recording by Mariss Jansons and the Bavarian
This release presents both a pleasure and a problem. The pleasure is the highly engaging performance by Mariss Jansons and the Bavarian Radio Symphony, which
Yawn. Stretch. Repeat. That’s about all I have to say about this utterly irrelevant release. This is a nicely played, emotionally neutral Mahler Ninth. Everything
The Royal Concertgebouw Orchestra has several recordings of this music under its belt, including two fine ones from Haitink on (formerly) Philips. This one sucks.
Charisma. Some conductors have it, and some don’t. Jansons doesn’t.