
Boito’s librettos for Verdi’s Otello and Falstaff are his major legacy, but his music is largely forgotten. His Faust opera, Mefistofele, was performed often in
This is a good performance of Verdi’s great comedy that nonetheless will not tempt you to toss your favorite. Particularly in the ensembles there is
This is a thoroughly idiomatic, exciting performance of Trovatore, one influenced rather ferociously by the verismo movement. As usual Lorenzo Molajoli and the Scala forces
This 1931 recording of Giordano’s Andrea Chenier turns out to be a second-rate performance of a second-rate work. No one has ever called this opera
This bizarrely plotted potboiler almost never fails if the singing has enough thrills, and this set, the first Gioconda ever recorded, is certainly thrilling. The
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