
Now in her late 50s, mezzo Anne Sofie von Otter has, perhaps, given up stressful roles (Octavian, Carmen) and is concentrating on more chamber-like material.
Imagine sitting for nearly two uninterrupted hours listening solely to sacred choral music by Vivaldi. Normally I would think of that as something that should
Judas Maccabaeus was Handel’s most popular oratorio during his lifetime. It was meant to celebrate the victory of the Duke of Cumberland over the Jacobites’