
Kurt Sanderling’s Bruckner Fourth is of the massive and magisterial type most famously espoused by Böhm, but also by Tintner, Karajan (EMI), and others (the
Upon hearing this CD, one wonders why these 1985 recordings were re-issued. There are at least a dozen fine recordings of each of these works
Both Sviatoslav Richter’s 1960 RCA studio recordings of the “Funeral March” and “Appassionata” sound fuller and brighter here than in previous CD transfers. The playing