
Tennstedt had a genuine affinity for this symphony. He left many live recordings, and his last official release from EMI consisted of the “Eroica” incongruously
There was a time, youngsters take note, when a performance of this symphony was a Major Event and not just another subscription night at the
Despite the Royal Albert Hall’s dodgy acoustics, I’ll bet the storied venue’s walls reverberated like hell when Klaus Tennstedt led the London Philharmonic in this
If you went to see this performance of Mahler’s Fourth live, you might come away satisfied, but it has no right to exist on disc.
Prokofiev’s Fifth Symphony always has the sense of a heroic saga, akin to Beethoven’s “Eroica”. Klaus Tennstedt’s 1977 Bavarian Radio Symphony Orchestra recording adds a
This Fifth symphony is the first of two recordings Klaus Tennstedt made for EMI, both with the London Philharmonic. It was considered revelatory when it
As Leonard Bernstein did with the Vienna Philharmonic, Klaus Tennstedt was able to take an orchestra with little history in performing Mahler and get it
This 1977 recording of the Mahler First made for an auspicious beginning to Klaus Tennstedt’s generally fine complete symphony cycle. Now, as then, what immediately
Klaus Tennstedt’s EMI Mahler symphony cycle, made during the late 1970s and early ’80s, was the hugely successful project that originally brought this humble and