

This is an exciting live performance of this opera, recorded in Salzburg in 1969 when all of the principals were in their primes. Karl Böhm

Taped live at the Salzburg festival in 1972, this Cosi must have been great fun to watch. Karl Böhm leads with his usual assurance and,

The pluses and minuses of this set are easily summarized: Symphony No. 1 is excellent, No. 2 very good, No. 3 dull and stodgy, and

This Hänssler release features two Karl Böhm performances drawn from the SWR radio archives. The Beethoven, from 1953, features the sensitive pianism of Brancka Musulin,

This, Karl Böhm’s only studio recording of one of the jewels in his conductorial crown, indeed is a gem of a performance. His tempos are

This is a sincere, well-prepared performance with no surprises in tempi, interpretation or emphasis; just a thoroughly Beethovenian reading of this wonderful work. Böhm balances

Corelli had it all–movie-star looks, a true tenore di forza voice, passionate singing that drove audiences to a frenzy, and the intelligence to explore repertoire

Historic record mavens are most likely to know Conrad Hansen in his role as piano soloist in Mengelberg’s Berlin Philharmonic studio recording of the Tchaikovsky

The return of this important recording to the catalog as a mid-priced reissue is to be warmly welcomed. The performances by the father/daughter partnership of

Thanks to Australian Eloquence we once again can savor this marvelous testament to great Brahms conducting. Right from the introduction, with throbbing timpani and magnificently
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