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Remember the rave review I gave to Joyce Hatto’s recording
There’s no want for superb recordings of this opera–there are at least a half-dozen Maria Callas performances alone, and one would certainly not want to
Jesús López-Cobos’ Pines of Rome gets off to a magical start as he revels in Respighi’s glittering orchestral colors, played with high spirits by the
Because Louis XVI and the French disliked the castrato sound, Gluck re-wrote his 1762 opera for high, light tenor; in keeping with French taste he
The Navarra-born Emilio Arrieta, well-known as a composer of zarzuelas (Marina, from 1887, is his best-known work), was born in 1823 and studied at the
This disc has been advertised as Lopez-Cobos’ last recording in Cincinnati for Telarc, and a fine one it is. Shostakovich’s first and last symphonies make
Debussy’s ubiquitous Ibéria opens the program, perhaps as an appetizer for the less familiar Turina works. Jesús López-Cobos takes a swift and breezy approach, leaving
Remo Mazzeti Jr. is in the enviable position of having had both of his realizations of Mahler’s Tenth Symphony performed and recorded soon after they
This production, having been seen in Madrid, Florence, and Palermo, came to Barcelona’s Teatre del Liceu and was recorded in December, 2004. It is a
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