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Your guide to classical music online
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Your guide to classical music online
George Antheil’s 1923 Symphony No. 1 comes as a surprise […]
I may have missed it, but I don’t recall seeing a line of people creeping down Fifth Avenue waiting to be the first to own
Take a major label’s best-looking pianist, research his back catalog, identify all of the repertoire linked with film soundtracks, then slap on a cover photo
So-called “bad boy” composer George Antheil had a peculiar way of absorbing every music style he encountered, and then inserting it–not always fully digested–into his
Hilary Hahn’s latest release is yet one more sign that this 22-year-old definitely is not a flash-in-the-pan child prodigy, but rather already is one of
Blues and Bottesini is a more apt title for this album of double bass concertos. Anyone familiar with Edgar Meyer’s recent best-selling bluegrass/classical collaborations (“Appalachia
Hilary Hahn continues to impress. Her Barber ranks with the finest available, and moreover, does so by taking a personal approach to the music, far
George Antheil’s importance as an American symphonist becomes even more apparent with this second installment in CPO’s complete cycle. The CD booklet essay takes great
