
There aren’t many contemporary composers who can match Peter Eötvös in making music that is both intellectually stimulating and emotionally gripping, and these three orchestral
Here is the beginning of Helmut Lachenmann’s notes to his 1982-84 work Movement (- before paralysis): “A music of dead movements, almost of final quivers,
Fans of Giacinto Scelsi’s myopic dementia should be thrilled with this CD–note-and-mood-perfect performances of music written during and about the Italian composer’s too-genuine insanity. Rather
This release features borderline unlistenable pieces coupled with befuddling, pretentious liner notes. NUN, an orchestral piece with soloists and chorus, is a single sexless throb
The German avant-garde has done it again, producing another composer who lives in serious fear of not being misunderstood. Hans Zender, whose music is a
There’s a puzzling idea buzzing around among certain older German conductors these days: Franz Schubert’s musical kinship with Anton Webern. Like Michael Gielen on a