
It’s folly that Deutsche Grammophon promotes this release as carrying […]
This is a strong performance. Even though initially Gustavo Dudamel’s rather generalized conducting offers nothing new, halfway through the first movement his inspiration kicks in,
Let’s be honest. DG releases these discs because Gustavo Dudamel is a hot commodity, to the extent that the classical music world has them, and
Talk about a letdown! Gustavo Dudamel is supposed to be the hottest new thing on the classical music entertainment circuit–a sizzling, hot-blooded, youthful, Latino superstar
It’s appropriate that since his appointment as music director of the Gothenburg Symphony Orchestra Gustavo Dudamel would present works by Scandinavian composers. Reportedly he was
John Adams’ City Noir was commissioned by the Los Angeles Philharmonic and premiered by Gustavo Dudamel in his debut concert as the orchestra’s music director
Gustavo Dudamel takes a fast and fierce approach to Stravinsky’s Le Sacre du Printemps, generating excitement mainly through speed, with large helpings of volume thrown
This Mahler Symphony No. 1 comes from Gustavo Dudamel’s inaugural concert as music director of the Los Angeles Philharmonic. The performance was duly documented and
Gustavo Dudamel takes on Tchaikovsky’s Fifth symphony, one of the warhorses of the romantic symphonic repertoire, and does a pretty decent job of it. His
Now here is a Gustavo Dudamel performance that lives up to the media hype surrounding the Los Angeles Philharmonic’s young music-director-designate (hype reinforced in Steven