Horowitz Rach 3

How did this one make it to RCA’s High Performance series? Certainly not because of its High Fidelity: the recording has a thin and washed-out

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Rocky 2 & 3/Naxos

Even in its day, Rachmaninov’s 1929 recording of his popular Second Concerto was not quite state-of-the-art, sound wise. However, its newest sonic facelift via the

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THE ART OF EUGENE ORMANDY

This well-programmed and excellently produced reissue traces the progression of Eugene Ormandy’s early career from Broadway pit orchestra violinist and conductor to music director of

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Copland/Ormandy/RCA

This superficially attractive coupling of these four popular Copland works, remastered in BMG’s latest 24/96 technology, seems to promise the kind of sound that, if

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Rocky 1, 4, Pag Rhaps/Naxos

None of these recordings were particularly well engineered for their time, yet Mark Obert-Thorn wrings more sonic information from them than BMG’s over-processed transfers reveal.

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