
Listening to Douglas Bostock conduct the opening of Nielsen’s Third Symphony is like watching a clumsy runner struggling to regain his footing. His hasty accelerando
Malcolm Arnold is a smart composer. His predilection for bright orchestral colors and a balance of tone favoring winds, brass, and percussion means that his
The Royal Liverpool Philharmonic has made some outstanding recordings under Sir Charles Mackerras and Libor Pesek. Douglas Bostock is not a conductor of the same