
One wonders if Clifford Curzon ever played Mozart’s last concerto to his own satisfaction. He recorded the work three times, but rejected each version for
With a dozen Fidelios on the market, this one doesn’t really have much of a chance, nor does it have particularly grand appeal. Barenboim’s leadership
Daniel Barenboim conducts an extremely fine Three-Cornered Hat, expressively shaped from the very first “fandango” but never at the expense of the music’s folk-like innocence