

Unlike Colin Davis’ disappointing remakes of Dvorák Symphonies 7-9, this Sixth bespeaks the freshness of a new discovery, which (discographically speaking) it is for Davis,

An interesting aspect of Colin Davis’ 1993 Musikverein Romeo et Juliette is how he cajoles the Vienna Philharmonic (of all the world’s great orchestras, surely

Philips observes the occasion of the 100th anniversary of Claudio Arrau’s birth with a 10-disc set bursting with a well-selected overview of the great pianist’s

Colin Davis’ Mahler Eighth, while a decent performance, didn’t make a big splash on its initial release. It features generally lively tempos in the first

Murray Perahia’s 1987 Schumann and Grieg concertos with Colin Davis remain the most recommendable digitally recorded pairing of these war-horses, and they bloom even more

This is almost, but not quite, the finest recording of Peter Grimes available. On two counts it sweeps the board: first, Colin Davis and the

As Brahms Symphony cycles go, this one’s a bit of a dud. It begins pretty well, with Colin Davis leading a taut and energetic account

Colin Davis and the LSO continue to redeem themselves in the wake of their dismal RCA Sibelius cycle with what is turning out to be

Colin Davis and the LSO are at it again in Sibelius, and while I generally take a dim view of so much repertoire duplication by

This Universal Classics release presents the novice collector with two of the world’s great concertos on one disc. Salvatore Accardo’s eminently enjoyable Tchaikovsky Violin Concerto

