
It took a little digging, but in fact it turns out that this “new” 2016 release of three Haydn violin concertos by Isabelle Faust actually
I’m all for economy, but these German radio orchestras have got to stop annexing names every time they merge or otherwise absorb some other ensemble.
This release fills a useful repertoire niche. Schumann’s complete works for piano and orchestra total about 75 minutes–just right for one well-filled CD. Two of
Prior to this recital disc, the only times I had heard soprano Juliane Banse in opera were as Frau Fluth in Nicolai’s Merry Wives of
This disc offers not only spectacular performances of some great (and with one exception, uncommon) repertoire, but also gives a clear look at an important
What a dumb “concept” album! The placement of the Bach/Webern Ricercar from the Musical Offering at the beginning and end of this disc presupposes that
Karl Amadeus Hartmann’s music seethes with inner anguish, its intensity rooted in the composer’s internal exile in Nazi Germany. Hartmann protested Hitler’s ascension to power
Jan Vogler, appointed principal cello for the Staatskapelle Dresden at age 20 and now pursuing a solo career, appears here in the second chamber-orchestra recording