
Christa Ludwig’s superlative EMI recording of Mahler Lieder has been […]
Testament’s mining of the late mono and early stereo recordings from the vaults of EMI and other labels has yielded a host of valuable reissues,
Leonid Kogan was one of several Soviet artists who burst upon the Western classical music scene in the mid-1950s, astonishing all with their incredible technique
Vladimir Spivakov is rarely convincing as a Mozartian. Compare his flighty, over-indulgent, insipid accounts of Concertos 1, 2, and 3 with the lordly and eloquent