

In just a few months another “Mozart year” will be upon us, the 250th since his birth, and record labels will no doubt deluge the

No matter how emotionally varied or harmonically adventurous Mozart’s piano concertos may be, three in the same key on one concert or on one CD

I have to confess, I seldom listen to these pieces. Not because everyone agrees that they aren’t “great” Mozart, but because most performances usually fall

Naxos’ recent issue of Mozart flute concertos featuring Patrick Gallois (type Q7136 in Search Reviews) represents a well-nigh unbeatable bargain, but then so does this

Giulini made very few appearances at Salzburg. Indeed, he made few appearances anywhere, particularly in his later years, which makes this excellently recorded live document,

This lovely collection, recorded in 1988 and ’89, finds Emma Kirkby at her mature best. The voice is still silvery and smallish, but it has

A decade separates the recordings of Symphonies Nos. 33 & 39 (1963) from Symphony No. 40 (1974), but the passage of time does not affect

Originally issued by Calig Classics, Rudolf Buchbinder’s Mozart concerto cycle gains a new lease on life and hopefully a wider audience on Günter Hänssler’s new

Eloquence’s generous Mozart disc features István Kertész leading a stirring yet warm-hearted Symphony No. 36 with the Vienna Philharmonic, whose sweetly singing string tone communicates

Mozart was a specialty of István Kertész, something easily evident from these 1972 recordings, featuring performances infused with vibrant energy wedded to crisp rhythms and
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