
Imagine the melodic grandeur and lush harmonies of Puccini mixed with the angularity and quirky structural sense of Stravinsky in his most Neo-classic phase: think
Imagine a German Menotti and you will get a sense of the music of Bavarian-Swabian composer Werner Egk. Both write tuneful, dramatic, compelling, cloyingly dissonant
As radio came into its own in Berlin during the late 1920s, composers discovered how this new medium might lend itself to new formal, expressive,