Rachmaninov Bells

In his atmospheric rendition of Rachmaninov’s The Rock, conductor Alexander Anissimov delights in the Rimsky-Korsakov-style fantasy of the music while emphasizing its drama, making this

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RUSSIAN PIANO MUSIC

Eugene Mursky makes the opening descent of Rachmaninov’s Sonata No. 2 sound almost like the physical gesture of throwing down the gauntlet. Though his bass

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Richter Rediscovered

Here’s a major coup for Sviatoslav Richter fans. The great pianist’s 1960 American debut tour included a triumphant series of five Carnegie Hall recitals. Such

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Rachin’ Minnesota

First, you need to play this recording at a higher than normal level because it’s got a very realistic dynamic range–which means that the opening’s

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Rach P3

Now that Rachmaninov’s Third piano concerto has become an unshakeable competition staple, we can expect (and have been getting) performances like this one whose virtues

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Rachmaninov Trios

As you would expect from their shared “Elegiac” title, Rachmaninov’s two piano trios are among his more overtly heart-on-sleeve compositions. Composed in the early 1890s,

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Pletnev Bells

This is a curious reading of The Bells. Mikhail Pletnev seems more attuned to the mystical and profound aspects of Edgar Allen Poe’s tome than

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