

Arthur Rubinstein’s 1964 recital in the Moscow Conservatory’s Great Hall was preserved in the Russian State television archives, and now is released for the first

The second of three releases culled from Vladimir Horowitz’s mid-1940s/early-1950s Carnegie Hall recitals offers alternative views of two works long familiar from his commercial discography,

Erika Haase’s first three Etudes releases were dominated by workmanlike pianism and earnest yet basically stiff musicianship. This two-disc Schumann set similarly leaves a mixed

This sixth volume in Hyperion’s ambitious complete songs of Robert Schumann project involves four soloists who perform individually and in various combinations of duets and

Wolfgang Holzmair and Imogen Cooper have made several outstanding lieder recordings for Philips. Here’s another: songs of Robert and Clara Schumann. There’s no disputing the

As Wolfgang Sawallisch turns over the reins of the Philadelphia Orchestra to his colleague Christophe Eschenbach, he leaves behind this worthy memento of his devotion

The unpredictable Dejan Lazic is at it again. His clipped phrasings, capricious agogic shifts, and pokey accents turn Schumann’s Papillons into iron butterflies. For example,

Supreme pianistic and musical distinction marks Piotr Anderszewski’s triumphant December 2008 Carnegie Hall recital, not to mention the most naturally luminous sound quality I’ve ever

Herbert Schuch’s provocatively programmed recital built around “Night Pieces” matches and perhaps even surpasses the extraordinary standards set by the young pianist’s earlier Oehms Classics

The chief attraction of this release is the prospect of hearing the Czech Philharmonic play Schumann symphonies–but that great ensemble is hardly recognizable thanks to
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