
It’s not clear why these 1992-95 recordings by Pinchas Zukerman […]
This second disc concludes Naxos’ survey of Robert Fuchs’ complete serenades, and it’s just as delightful as the first. Serenade No. 3, for strings, features
Robert Fuchs (1847-1927) is best known today as the composition teacher of Mahler, Sibelius, Enesco, Korngold, Schreker, Zemlinsky, and just about everyone else who happened
Robert Fuchs (1846-1927) enjoyed the mentorship of his older colleague Brahms, whose two piano concertos intermingle throughout Fuchs’ own three-movement work in that genre. While
Both Robert Fuchs (1847-1927) and Friedrich Kiel (1821-1885) composed but a single piano concerto, which is surprising because both were evidently quite good at it.
Robert Fuchs wrote in an unapologetic late German Romantic style that was considered old fashioned in his day (he was replaced as professor of composition