
This nearly-50-year-old performance still retains its status as a “classic”, and the digital remastering that would appear to be the raison d’etre for its current
The best thing about this September 16, 1954 concert is Thomas Beecham’s hilarious speech preceding the lovely encore performance of Massenet’s Last Sleep of the
And you thought Hans Knappertsbusch was a slowpoke. Clocking in at a record five hours (on five CDs, no less, for an opera that usually
Ward Marston makes the complete studio recorded Flagstad/Melchior Wagner duets more listenable than ever, although not much could be done to mask the compressed dynamics
I can’t tell if Urania’s edition of the Bruno Walter/NBC Symphony Bruckner Fourth broadcast stems from the same lacquer discs used for Seth Winner’s superb
Zubin Mehta’s Bruckner Ninth surely deserves careful remastering and reissue on Decca’s “Legends” series, but until that unlikely event we must be grateful to Australian
The most interesting thing about this Bruckner 4 is the way in which Zubin Mehta has succeeded in imposing a Viennese sound on his Los
In some circles Hans Knappertsbusch has the reputation of a great Brucknerian, but you certainly couldn’t prove it by this dreadful performance of the Symphony
One of the oldest of Wagner wisecracks has George Bernard Shaw looking down at his watch after an hour to find that only 15 minutes
Mehta’s Mahler Fourth, freed from its horrible, low-level LP transfer (it was, if I’m not mistaken, Decca/London’s first-ever digital release) comes across as what my