
One thing you have to say: there’s a lot of sound on this CD. Not only is the sound of the “chamber” choir huge, but
Finally, the Hallé orchestra’s proprietary label decides to do something useful instead of lousy historical reissues or second-rate Elgar. The complete incidental music to The
Here’s an interesting program, one of those well-planned recitals that adds up to something greater than the sum of its parts. All of the music
Elgar’s Violin Concerto has a certain mystique about it independent of the knee-jerk obeisance it has received in the British press. It probably is the
Of all the recent issues in Chandos’ excellent series of film scores by British composers, this may well be the most interesting and important, not
Naxos is putting together a very good Vaughan Williams symphony cycle, featuring exciting performances on the whole, and this newcomer is no exception. Paul Daniel
These are competent performances, warmly recorded, but there’s little else worth noting. Slatkin elicits playing from the St. Louis strings that’s smooth to the point
These are very beautiful performances, richly recorded. The Tallis Fantasia receives a stately, grave reading–not as passionate as the benchmark recordings by Barbirolli or Silvestri,
Telarc’s new recording of Vaughan Williams’ A Sea Symphony reaches a level of sonic amplitude that nearly mirrors that of the ocean itself. A mighty
While the more famous Cambridge choir may be the one at King’s College, the one over at Queens is no slouch either. As shown on