
It’s easy to find recordings of cellos–single cellos, duo cellos, even whole orchestras full of nothing but cellos. You have little or no problem negotiating
British cellist Guy Johnston wanted to celebrate the 300th “birthday” of his David Tecchler cello in a manner suited to its distinguished provenance (Tecchler’s renowned
This is a wonderful program, both for the performances and for the intelligent overview it gives of Respighi’s art generally. It begins with a piece
This utterly pointless, unspeakably vile recording of Respighi’s Roman Trilogy
In my review of the latest version of this trashy,
Respighi’s Sinfonia Drammatica has been recorded three times (at least): Nazareth on Naxos with the Slovak Philharmonic; Downes on Chandos with the BBC Philharmonic; and
It was only a matter of time before someone took a “period performance” approach to Respighi’s early music arrangements. The results, as you might expect,
It would of course have been too much to ask
This Italian Universal box (the listing of Brahms’ “Un Requiem
Like its predecessors, the 10th three-disc anthology culled from the Lugano Festival’s annual Progetto Martha Argerich features the celebrated pianist alongside established and emerging musician