
Clementi’s piano ensemble works may not plumb the virtuosic or harmonic depths characterizing his best solo piano sonatas, yet you can’t deny the composer’s unerring
I had no idea that a Steinway D concert grand could sound so dry, flinty, and dynamically constricted until I heard this drably reproduced disc.
Lilya Zilberstein’s Clementi recital gives the impression of a superbly schooled, proficient pianist who can play these compositions to the highest professional standards without loving
In my review of Christopher Szaja Sager’s Clementi recital on Hänssler, I wrote of the Op. 25 No. 5 sonata’s aching lyricism and pungent harmonies
Emil Gilels’ 1972 Brahms B-flat Concerto significantly differs from the pianist’s hard driving 1958 Chicago recording with Reiner. Tempos are slower, while the pianism stresses