
Ferruccio Busoni’s transcriptions of Bach and Brahms Chorale Preludes aspire to recreate the original organ textures in thoroughly pianistic terms, requiring the performer to render
For Bunita Marcus is late Feldman, and that means long Feldman. In this performance it lasts about seventy-two minutes, and like most of his late
For John Cage is (in this performance) a 72-minute work for violin and piano. Like Feldman’s “carpet” pieces, it consists of repetitive patterns that slowly
It’s exciting to see hatART’s recordings available again, especially of
If you’re looking for an introduction to Morton Feldman’s special
It may be a cliché to say so, but this
I’m tempted to retitle Morton Feldman’s 1985 piano composition For
Unlike the repetitions and slow-moving shifts characterizing his five-to-six-hour-long String Quartet No. 2, Morton Feldman’s 1979 String Quartet No. 1 is more of a mosaic
Issued for the first time on CD courtesy of Arkivmusic.com and Sony/BMG, the 1967 release Extended Voices features works for chorus and for voices altered
I’ve said it before: Morton Feldman’s music is the ultimate cure if you’re having trouble falling asleep. This isn’t because it’s boring—far from it. Indeed,