
This high-rating reissue brings accomplished violin playing and excellent sound. Cho-Liang Lin is heard first in the perennial favorite G minor Bruch concerto, with the
So when did Max Bruch become such a hot item? This is the third version of his Violin Concerto No. 1 to appear in the
Violin enthusiasts shouldn’t pass up this opportunity to hear two of the 20th century’s greatest performers, Joanna Martzy and Erica Morini, on this DG Originals
Isabelle van Keulen turns a taut and lean rendition of Max Bruch’s Violin Concerto No. 1. Her approach is refreshingly classical, with clear, evenly-shaped phrases
Naxos continues its reissue series devoted to Fritz Kreisler’s complete concerto recordings with two priceless items. The Bruch G minor was recorded by the acoustic
Cellist Pieter Wispelwey plugs a few gaps in his existing Channel Classics discography with these engaging, imaginative performances. He’s accompanied by the Deutsche Kammerphilharmonie Bremen
What’s not to like? These two concertos were recorded during Mutter and Karajan’s “sweater period”, when all of their album covers, whether for DG or
Pierre Fournier’s accounts of the Lalo and Saint-Saëns cello concertos never have been surpassed in their elegance, musicality, naturalness of phrasing, and sense of logic.
In November, 1931, 15-year-old Yehudi Menuhin made his first recording with an orchestra. He remade the Bruch G minor Concerto several times since, but these