
There are two versions of Boccherini’s Stabat Mater, one for […]
Boccherini divided his quartet output into two categories, “big” works
It’s amazing that this music remains so little known; it’s simply wonderful. None of Boccherini’s symphonies require trumpets and drums, most feature some sort of
Here we go again. Luigi Puxeddu claims to be an expert on the interpretation of 18th-century music. Maybe he is, but is he a great
In his booklet notes to Testament’s luscious reissues of the
The Bottom Line: Recorded from 1946-1959, these recordings showcase the
At least since the days of lutes and viols composers and performers recognized and exploited the favorable combination of plucked and bowed strings. And yet
The final volume of Testament’s three-disc series of Boccherini quintets
Volume 2 of Testament’s three-disc series of reissues of the
Prolific composers tend to be devalued, Haydn and Mozart excepted