

This is a wonderful concept, perfectly realized. Most recordings of Mahler’s arrangements of the quartet literature group this Beethoven quartet with Schubert’s Death and the

This reissue brings together just about all of Christoph Eschenbach’s solo piano recordings for Deutsche Grammophon, with the notable exception of his Mozart sonata cycle

A set like this reveals tellingly the beneficial side of the period-performance movement. There are things that Riccardo Chailly does that likely never would have

At age 88 Earl Wild’s fabled technique remains staggeringly intact, while his artistry continues to evolve. The opening selection, Marcello’s Adagio, tells all, with its

Pianist Ko Ryoke introduces this Bach, Beethoven, and Chopin recital with extensive booklet notes about how the uncommonly light action of her instrument allows for

Every time Otto Klemperer’s EMI Beethoven recordings are re-released, the couplings change, the prices go down, and the consumer gets confused. In the late 1980s

Whatever the shortcomings of the period-performance movement, at least it got us away from the phlegmatic type of Beethoven playing found on this disc. Robert

Although the live April 6, 1959 Beethoven Fourth Concerto performance with Claudio Arrau and Christoph von Dohnányi has circulated in the underground, I believe ICA’s

Despite early critical acclaim, Jorge Bolet’s career never really took off until the early 1970s, when he was approaching his sixth decade. Yet the pianist’s

Following his excellent Haydn and Mozart fortepiano recordings for BIS, Ronald Brautigam turns his attention to the first volume of a projected cycle devoted to
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