
For whatever reason, it’s always been unusual for German choirs (or French ones, or Italian ones, for that matter) to venture into English/English language choral
Although John Stainer borrowed some ideas from Bach’s Passions for setting his “meditation” on the Crucifixion of Christ, unfortunately the manner of the work’s opening
In 1887, John Stainer’s “meditation on the sacred passion of the Holy Redeemer”, otherwise known as The Crucifixion, was special for its substantive treatment of