
This is a seductive program. The idea of transformation is treated very differently by the chosen composers, and could lead to a very stimulating listening
The world has no shortage of live recitals from Emil Gilels, but this outing from the 1972 Salzburg Festival is one of the best: His
Stephen Kovacevich piled up a large and eclectic discography for Philips in the late 1960s and early ’70s. Some of the choicest items appear here
The thin thread that ties this Glenn Gould compilation sort of together is the pianist’s involvement with the cinema. Gould scored the 1972 film adaptation
These performances from David Zinman’s final quintet of seasons with the Baltimore Symphony are clearly intended to show off their now-departed Music Director in mainstream
Of Doremi’s ongoing Richter series, the present release is perhaps the most valuable. On balance, this live Brahms B-flat from Bucharest is Richter’s finest recording
Brahms’ Requiem played on the piano? It may seem strange today, but back in the 19th century there was a huge market for piano scores
The overtures, Haydn Variations, Alto Rhapsody, and Second Piano Concerto derive from 1955/7 studio recordings released by Decca. In all likelihood, Melodram’s transfers stem from
Brahms’ Second Concerto has long figured in Emanuel Ax’s repertoire, yet he has not gotten around to recording it until now. The lightness and grace
American conductor Robert Shaw had an almost preternatural sense of timing. Like Mozart, whose last days were spent composing a Requiem, Shaw’s final weeks were