
The Brahms and Stravinsky Violin Concertos make an unusual and refreshing pair for Hilary Hahn’s fourth Sony release. More importantly, her performances are stunning. In
Remember Dimitris Sgouros? He made a huge splash in the early 1980s when as a teenager he played the Rachmaninov Third Concerto at Carnegie Hall
It’s possible that Brahms originally composed his 1858 Serenade No. 1 as a nonet for winds and strings. Alan Boustead’s reconstruction of the first version
Thanks to Australian Eloquence we once again can savor this marvelous testament to great Brahms conducting. Right from the introduction, with throbbing timpani and magnificently
One of the great treasures of the recording era is this 1937 document of the Dvorák concerto, in which soloist, young conductor, and orchestra come
The three Brahms violin sonatas fit comfortably onto a single CD, as evidenced by the recently reissued Josef Suk survey with Julius Katchen, recorded in
You’ll often find Brahms’ Op. 115 Clarinet Quintet coupled with the Op. 34 Piano Quintet in F minor, so this pairing with the Quintet for
It’s important to remember just how “local” the record business was in the 1940s and ’50s. There were no great, international entertainment conglomerates as we
This 1971 Brahms Second reveals the consistency of the Berlin Philharmonic’s playing style in this work. In terms of orchestral timbre, it sounds pretty much
Naxos continues its reissue series devoted to Fritz Kreisler’s complete concerto recordings with two priceless items. The Bruch G minor was recorded by the acoustic