
What to do with this? Granted, the selections practically live up to the album’s title, especially if you don’t particularly like operetta and only want
During his tenure as the New Yorker’s classical music correspondent in the 1970s Andrew Porter made a special plea for the reissue of Ernst Levy’s
After a nicely paced overture led by Richard Tauber recorded in 1944, this 1929 set of excerpts from Johann Strauss Jr.’s greatest operetta settles into
This 50 minutes of Fledermaus in a mediocre English translation is not apt to genuinely please anyone except fans of Anna Moffo, who delivers a
Liszt pupil Moritz Rosenthal was in his late 60s when he made his first recordings in 1928. By this time, a softer expressive palette divided
Operetta fans should race to buy this one-of-a-kind performance of this fluffy masterwork of Johann Strauss, Jr.’s, recorded just before World War II in Berlin.