
Before Chopin’s Etudes there were Clementi’s teaching pieces collectively known as Gradus ad Parnassum. And before Clementi, pianists struggled with Johann Baptist Cramer’s 84 Etudes,
Stephen Hough has devised a provocative and effective program that juxtaposes Mozart piano pieces with works by later composers that use Mozart as a jumping-off
Collaborations seem to elicit Malcolm Bilson’s most fluent and characterful playing on disc, such as in the Mozart Violin Sonatas with Sergio Luca, the Beethoven