
Compilations of short works for piano with orchestra don’t appear often enough. After all, doesn’t the “mini-concerto” genre deserve much more attention than it usually
Henry Charles Litolff (1818-1891) was celebrated as a first-rate pianist boasting a solid pedigree: he studied with Mendelssohn’s mentor Ignaz Moscheles, taught Hans von Bulow,
Henry Litolff’s delightful works for piano and orchestra published under the label “Concerto Symphonique” have not deserved their current neglect, and Hyperion’s advocacy on their
George Szell owned the Brahms concerto. He recorded it three times in stereo, with Leon Fleischer, Rudolph Serkin, and in this version with Clifford Curzon.