
Here is the beginning of Helmut Lachenmann’s notes to his 1982-84 work Movement (- before paralysis): “A music of dead movements, almost of final quivers,
This release features borderline unlistenable pieces coupled with befuddling, pretentious liner notes. NUN, an orchestral piece with soloists and chorus, is a single sexless throb
More intellectual twaddle from the German avant-garde, though with a mild (very mild) sense of humor. Helmut Lachenmann uses all the extended techniques–best used as
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